Along the northern wall is a table with alms bowls for donating coins and another full of daily Buddhas. The number was important in ancient India and so it is found in many Buddhist stories, most importantly the signs of perfection to show that he was the Buddha — this is also why there are often symbols on the soles of many large Buddha footprints. The wall murals starting in the southeast corner tell the history of Khon Kaen city — painting 5 shows the settlers arriving at this location — followed by panels about Isan culture , including Heet Khong 14 festivals and social rules.
Many of the painting here and on other floors have funny little scenes hidden in plain sight, such as the little boy peeing in picture The carved wooden doors and window shutters tell the Four Jampa Trees folktale, which is about how if you do good things you will have a good result and if you do bad things you will have a bad result.
The second floor holds a small Isan cultural museum with a hodgepodge of things including basketry, Ban Chiang-style pottery, palm-leaf manuscripts, animal traps, and musical instruments.
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The wall murals are about kalam Isan prohibitions and the painted doors and window shutters show the Sin Sai folktale. The third floor displays some decorative items like nielloware bowls, shells, and tea cups, plus a whole lot of monk fans. One display case has many lek lai magical rocks.The fourth floor displays a collection of Buddha images and other Buddhist sculpture in many different ages and styles. The long cabinet near the south wall has nothing of ascetic value, but there are many rarely seen postures. The wall murals are a biography of the former abbot, Luang Paw Koon Kantigo , The two large pictures in the room are of him too.
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The painted doors and window shutters depict the daily Buddhas, the gods of directions and planets, and the animals associated with the directions in Isan culture.
His picture is on the bed with the typewriters. He once did some sort of personal long-life ceremony here that used this coffin, and so it remains. His statue is at the end of the line, separated from the others by the wooden Vishnu statue. The wall murals presently being painted show moral lessons kadi-tam from famous monks in Khon Kaen. The carved wooden doors and window shutters tell the Mahanipata Jataka tales , the last ten lives of the Bodhisatta the Buddha-to-be before he was born as Prince Siddhattha and was able to reach enlightenment.
From here you can walk around and see a big degree view of Khon Kaen city and Bueng Kaen Nakhon lake; although it can get a little crowded, so the eighth floor is often the better viewpoint.
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The cluster of red roofs to the northeast of the stupa are the monk quarters. These are the highest heavens, but still below Nirvana. It was built as a wihan , but when Wat Nong Wang became a royal temple a bigger space was needed Ubosots of royal temples must have five windows on each side.Inside above the main Buddha there are paintings of heaven and to the east is Buddha coming down from Tavatimsa Heaven and opening the three worlds. Monks chant here in the morning 7. The bell made from the top of a US bomb form the Vietnam War hanging from a tree at the southwest corner is the bell used for signaling the monks throughout the day rather than either of the bell towers behind the old ubosot.
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Just to the east is a sculpture of hands holding up a log that honors Phra That Kham Kaen, a holy stupa outside the city.The previous, and no longer used, ubosot is classic central Thai style, tall and with lots of mosaic. In the back west side there is a Buddha image inside a glass chamber and a Brahma statue in front of the glass. Between the ubosots are back-to-back wihans with a bodhi tree between them. The slightly larger western one is used for personal worship; the other is now just used for storage.
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